Hungry Ghosts (2018) #1

Hg1

Hungry Ghosts is the story of restaurant staff who get suckered into telling ghost stories with one of their hideous rich customers. The hook of the series, presumably, is “executive producer” Anthony Bourdain. He’s credited as co-story but–from the back matter–it’s clear Joel Rose, the other story credit, did the writing work.

Though, presumably Bourdain agrees most of his customers are hideous rich people.

Alberto Ponticelli and Vanesa Del Rey do the interior art. Ponticelli does the setup and the first story, Del Rey does the second story. It’s the one about the pirate ship rescuing a drowning woman just so they can rape her. It doesn’t go as planned. It’s not scary though. None of Hungry Ghosts is scary or even disturbing. It’s PG–13, conceptually as well as visually.

Yawn.

The first story has a cook not feeding a homeless guy and the homeless guy turning into a demon to exact retribution. So, maybe if you bring a copy of Hungry Ghosts #1 to a Bourdain restaurant you get a free meal? Because the story literally says not feeding the hungry deserves death.

So. I guess the comic is for people who just love anything with Anthony Bourdain’s name on it? Because there’s nothing else to it. Sure, it’s updating Japanese “Kaidan” but so are a lot of things. Even some actual scary things, which Ghosts isn’t.

At all.

Hungry Ghosts #1 (January 2018)

Hungry Ghosts #1Hungry Ghosts is the story of restaurant staff who get suckered into telling ghost stories with one of their hideous rich customers. The hook of the series, presumably, is “executive producer” Anthony Bourdain. He’s credited as co-story but–from the back matter–it’s clear Joel Rose, the other story credit, did the writing work.

Though, presumably Bourdain agrees most of his customers are hideous rich people.

Alberto Ponticelli and Vanesa Del Rey do the interior art. Ponticelli does the setup and the first story, Del Rey does the second story. It’s the one about the pirate ship rescuing a drowning woman just so they can rape her. It doesn’t go as planned. It’s not scary though. None of Hungry Ghosts is scary or even disturbing. It’s PG–13, conceptually as well as visually.

Yawn.

The first story has a cook not feeding a homeless guy and the homeless guy turning into a demon to exact retribution. So, maybe if you bring a copy of Hungry Ghosts #1 to a Bourdain restaurant you get a free meal? Because the story literally says not feeding the hungry deserves death.

So. I guess the comic is for people who just love anything with Anthony Bourdain’s name on it? Because there’s nothing else to it. Sure, it’s updating Japanese “Kaidan” but so are a lot of things. Even some actual scary things, which Ghosts isn’t.

At all.

CREDITS

Writers, Anthony Bourdain and Joel Rose; artists, Alberto Ponticelli and Vanesa Del Rey; colorist, José Villarrubia; letterer, Sal Cipriano; editor, Karen Berger; publisher, Dark Horse Comics.

Berger Books Preview (November 2017)

Berger Books Free 2018 PreviewThe Berger Books Preview is, frankly, concerning. Influential comic editor Karen Berger has an imprint coming out from Dark Horse next year and the Preview shows off the launch titles.

Of the four, Hungry Ghosts seems the strongest. The writing isn’t bad, which is something. There’s some bad writing before the end of the ashcan.

Incognegro, even with its excellent Warren Pleece art, has a lazy script. Mat Johnson’s dialogue is choppy exposition. Nothing to suggest it’s going to turn around either.

Then the Mata Hari preview is too slight to tell. Ariela Kristantina’s art isn’t impressive and there’s not enough of Emma Beeby’s writing to get a feel. But it definitely doesn’t look ready.

Finally there are some promotional images from The Seeds, which has David Aja art and Ann Nocenti writing. Two images. It’ll look amazing because Aja but otherwise… who knows.

The strangest thing about this Preview is how unimpressive the line appears. Even if Hungry Ghosts is good, it’s a book for Anthony Bourdain fanatics who also read indie comics and art wanks. Pleece isn’t an artist who sells comics. No one cares about Mata Hari. And David Aja art is only a big deal when there’s actual David Aja art.

It’s concerning.

CREDITS

Editor, Karen Berger; publisher, Dark Horse Comics.