Category: Hermes

  • For the most part, it’s a strong issue. Chaykin’s gleefully overboard with this idea of Rogers as a twenties American socialist awoken around a bunch of closed-minded future “Americans.” He loves it and it’s impossible not to get wrapped up in his enthusiasm. Chaykin’s also downright hostile towards Wilma Deering. Buck lays it all out…

  • Let me try to think of something nice to say about Buoy 77‘s finale. Lopez is back to the weak art, so no compliment there. Boyd’s conclusion is all about how the white man ruins native peoples (I’m shocked they didn’t put in a prose notice of it), so not there either. All in all,…

  • Lloyd’s got a very well-illustrated story here. It’s a thriller–con artist out to murder his rich wife–told after the fact (guess what, the husband gets busted through a very Hitchcockian twist). The art’s more important than the story. Lloyd gets the tone perfect. If it were a longer piece, with more characterization, it might be…

  • Well, Hermes’s slump continues. Campbell’s problem might be the villains—the Eye of Fate (or something… the skeleton head guy) is a lot more interesting than anyone else in the story than the Eyeball Kid. So we want the Eyeball Kid to win (even though Eye of Fate doesn’t) and Eye of Fate to win… but…

  • I’m not sure what happens this installment of Hermes. It almost seems like a bridging installment. Hermes, who hasn’t really had a lot to do since the first installment, is preparing his attack and the supervillains are splintering. It’s a fine installment, but it’s the first one where Campbell didn’t “wow” me. The opening story,…

  • Are there Art Adams fans out there? He’s not bad, but his faces are awful. I’ve never seen someone vary his perspective of a face so much—it’s like he does these three dimensional faces, except the nose. The nose is 2D. I guess he drew the monsters well. Monkeyman & O’Brien is not terrible. It’s…

  • Ever have a friend who could draw really well? Moeller’s art on Shadow Empires is like a friend who can draw well. He takes time with it, he works at it… but it’s still totally not ready for the big leagues. It’s somehow even rougher than some of the worse art Presents has published. The…

  • Yolen and Vess have an absolutely fantastic fairy tale story here. It’s not technically a fairy tale (it’s layered, a nursemaid tells the story to a child, who it directly concerns) but it’s just wonderful. Vess’s art here is superior–he’s able to convey action, antiquity and fear. There’s one moment where it confuses, then it…

  • Oh, I finally get it. Paleolove means love in the Paleolithic era. To pay Davis a complement (my first?), he’s never tried so deliberately to tug on the heartstrings until now so I never really gave the title a thought. What amazes me is the artwork. He hasn’t gotten any better with figures since his…

  • Madwoman sort of whimpers off to its end. Jordorowsky tries to do way too much–he introduces two new characters and kind of changes up the point of the story. He also introduces the possibility its all about getting a drug princess out of jail. It doesn’t even have a solid ending, instead making a joke…