Category: Green Lantern

  • You know, Dale Eaglesham does do a great job on Sinestro. I wouldn’t subject my brain to another issue of this prattling, but Eaglesham’s art is really good. Writer Cullen Bunn has the task of bringing Sinestro back from a self-imposed exile. For all the endless expository narration from Sinestro, I’m unclear why exactly he’s…

  • One should never hope for too much from finales. Especially not from an extremely uneven anthology series like Wednesday Comics. Batman’s bad. Kamadi flops. Superman apparently only remembered after twelve installments he had a wife at home. Deadman is okay. One of the better mediocre strips. Green Lantern is bad. Metamorpho is lacking; Gaiman tries…

  • Azzarello writes Batman as a rube while Risso tries to ape Sin City as a Batman. Gibbons once again summarizes the action too much on Kamandi. Sook’s barely got anything to do. Superman is bad. As usual. Deadman’s okay, Green Lantern’s awful. Ditto, respectively, for Metamorpho and Teen Titans. Hope respectively, in that sense, means…

  • Batman versus dogs, Azzarello’s inspired and Risso can’t even draw a cool Batmobile. Kamandi comes back a little; there’s a big battle scene, lots of panels. Arcudi misses a great Superman: The Movie homage on his dumb Superman strip. Deadman’s okay, though all the action seems inappropriate. Green Lantern is lame; Busiek doesn’t understand weekly…

  • The art on Batman’s good. Risso’s aping Frank Miller, but it’s a stylish fight regardless. Kamandi continues to have story problems and poor Sook has nothing active to draw. Crap Superman. Nice Deadman. It might be Comics’s underdog strip. It’s the best Green Lantern, which says little for the strip. Metamorpho‘s periodic table gimmick is…

  • Batman’s bad; Azzarello’s desperate to make it a noir and he just can’t. Kamandi’s mediocre. Still nice art but the story’s stalling. Superman has no story and is bad too. Deadman’s got some great art. Oh, Green Lantern. It’s weak again. Metamorpho’s fun, with a periodic table gag, but there’s no story. Teen Titans is…

  • Batman is a little better than usual. Not the art, but at least Azzarello writes two scenes. On the flip, this Kamandi strip is probably the weakest. Still good, but pointless. Superman’s crap, Deadman’s pretty but slight, the Green Lantern is pointless. The Metamorpho, however, is weird in a good way. Crappy Teen Titans, but…

  • Let’s get started. Batman–Risso’s artwork is weak. It’s loose when it needs to be strong and vice versa. Fun Kamandi but Gibbons isn’t giving Sook enough room for the content. Superman’s the opposite. Too much room, too little content. Deadman’s mediocre, probably its worst strip (it’s a wee trite). Green Lantern’s continuing to sink too.…

  • Lame Batman, good Kamandi (Sook does a good Planet of the Apes), lame Superman (though Bermejo’s a little better), okay Deadman (one of the book’s steadiest strips), lame Green Lantern (after always being mediocre before)…. I’m trying something different since these comics usually provide so little to really talk about. Metamorpho’s a little better, Teen…

  • Baker gets awkwardly jokey on the Hawkman, which is otherwise all right. He’s got a great looking space battle involving the JLA satellite. Speaking of art, Bermejo’s Superman is particularly awful this issue. He’s apparently incapable of drawing Ma Kent. He draws her for three or four panels, each worse than the last. Metamorpho makes…

  • This issue has even less good strips than before. Sgt. Rock in particular falls off, with Joe Kubert’s art getting way too loose. Gaiman and Allred’s Metamorpho doesn’t recover either. In other words, at issue three, Wednesday Comics is already downhill. Azzarello and Risso’s Batman manages to be worse, as does Arcudi and Bermejo’s Superman.…

  • So even some of the better ones from the previous issue are losers this week. Specifically Neil Gaiman and Mike Allred’s Metamorpho. They flop on the format. Still strong are Pope’s Adam Strange, Baker’s Hawkman, Dan Didio and Jose Luís Garcia-Lopez’s Metal Men (no, really) and Catwoman by Walt Simonson and Brian Stelfreeze. Oh, and…

  • Wednesday Comics really needs a stronger editorial hand. While some of the creators get the concept, others completely fumble it. The successes (and the mediocrities) make up for the bad patches. In the “no idea how to do the format” section, the issue has Brian Azzarello and Eduardo Risso on Batman, John Arcudi and Lee…

  • Green Lantern (2011, Martin Campbell), the extended cut

    The saddest thing about Green Lantern has to be the editing. Stuart Baird, amazing action editor of the last twenty or so years, cut together this malarky. It’s not Baird’s fault, exactly, how ugly Lantern plays—cinematographer Dion Beebe’s responsible for the shots not matching in lighting and Campbell composed them. But Baird’s always had a…

  • During the opening scene of this issue, Kyle Rayner–imbued with the powers of all the rings… well, not really but Bedard misses that plot hole–starts spewing like a Red Lantern. He spews while speaking Bedard’s dialogue, which proves a nice metaphor for the issue in general and Bedard’s writing in particular. Obviously, not all of…

  • Geraldo Borges is the “guest” penciller. I’m not sure he’s particularly welcome. He’s not terrible, but he’s not good either. The issue is all action, taking place over a couple hours at most. Guy and John are in trouble, they call for backup, the backup Lanterns bicker then come and save the day. Then the…

  • Once again, Sinestro is the best thing about Green Lantern. Johns really ought to consider redoing the book with Sinestro as the lead and Hal Jordan as his flunky. Maybe because of the movie (and Ryan Reynolds playing the role), it’s hard to take Hal seriously. Maybe it’s just because Johns makes Hal out to…

  • This issue is something special. It’s Benes objectifying a resurrected rape and murder victim. At first, I thought it was just his impulse, but then the issue moved on and it became clear Benes does it on purpose. It’s a little creepy. The new DC seems to be a bunch of creators you wouldn’t leave…

  • Yay for terribly written exposition flashbacks. Yay! See, I’m trying to be positive about New Guardians and not laugh at Kirkham’s hair on Kyle Rayner. I mean, it’s some silly hair. But probably not as silly as his three day stubble… because Kyle’s a young, hip rebel. Though I do like the new costume design…

  • All Tomasi can come up with for villains in the Green Lantern Crops is intergalactic ninjas. They have some mystery leader and teleporting powers, but they’re really just ninjas. It makes the comic feel like it’s from the eighties. Maybe it also feels like its from the eighties because it all of a sudden reads…

  • Yuck to Johns’s pacing. This issue features Sinestro showing off to Hal Jordan how much of a bad Lantern Jordan’s always been. It’s lots and lots of talking, which the occasional action sequence or something ring-related. For the most part, Mahnke and the inkers do a fine job. There’s sci-fi action, there are monsters, there’s…

  • Wow, what a bargain. Nineteen pages of story. I think Benes is suited for dumb science fiction. I mean, Red Lanterns is pretty dumb. Milligan introduces about fifteen proper nouns this issue and none of them are consequential. Worse, he doesn’t even expect the reader to remember them. He’s completely non-committal with the whole thing,…

  • New Guardians opens in flashback. Only no one mentions it’s in flashback, which made me think I was going to suffer through Tony Bedard relaunching Kyle Rayner. Instead, I just had to suffer through Bedard’s attempt at writing a female character. Actually, Bedard’s got a strange undercurrent of misogyny in the comic. As opposed to…

  • Damn, I want to hang out with Guy Gardner and John Stewart. Seriously. Green Lantern Corps reminds me of a TV drama with some mediocre supporting players and a pair of awesome leads. Peter J. Tomasi writes the pair quite well together. They hang out on a satellite together (not that there’s anything wrong with…

  • Red Lanterns is DC’s family-friendly title, isn’t it? I’d sort of heard of the Red Lanterns, but I had no idea they all looked creepy (as creepy as Ed Benes can draw—he’s pretty slick for a sci-fi comic with horror elements). I also didn’t know they hung out near a pool of blood and fought…

  • I thought Sinestro had a big silly head. Doug Mahnke gives him a big forehead, but no big head. Not being a Green Lantern reader, this issue sort of confuses me. But what frustrates me is Geoff Johns. He can plot out the issue, get all the beats down, even write good dialogue half the…

  • I’ve avoided Ron Marz’s Green Lantern comics. I’ve always assumed Kyle Rayner is a tool and the comics would be bad. If this Retroactive is any indication, I’ve been right all along. Though it’s mildly amusing to think about what Marz does with the character–he’s turned an eighties Spider-Man comic (a poorly written one) into…

  • Let me see if I can summarize the dumbest thing about this issue. DC hired Denny O’Neil to write a flashback to seventies Green Lantern—back when it was Green Lantern/Green Arrow, they let O’Neil turn in a script mostly about Green Arrow, then they hired Mike Grell to illustrate it—Grell being known as a Arrow,…