I don't know where to start. I'm not sure about the epilogue. It's a very cute and nice epilogue, but Glass has just got done dragging the reader through a very rough opening action sequence and then an extremely taut issue. With Furious, Glass has always made sure to keep the series's reality very dangerous.…

Glass brings in something I don’t think I realized the comic was missing–the Jim Gordon character. Some kind of person for Furious to have a conversation with about things, even if it’s brief. It totally changes the tone of the comic, though the plot for the issue also changes things up a bit. Furious attends…

Glass doesn’t let up this issue. He makes things so intense, the previous issue’s cliffhanger is forgotten until this issue’s cliffhanger, which is similarly themed. The one problematic thing about Furious is how much Glass is hinging on the resolution to the Cadence Lark question. Based on this issue, which features Furious fighting a serial…

What a very strange comic book. It’s got a lot of humor; Glass writes some really funny details and rejoinders. Funny, funny guy. It’s got a lot of pop culture commentary. Glass makes some perfectly good observations about how celebrities get treated. It’s thought out too. He backs it up with good flashbacks. It’s got…

I obviously haven’t been getting enough Darwyn Cooke and Cameron Stewart lately because they were the first styles I thought of seeing Furious. It’s not like Victor Santos is particularly similar to either style–his figures are sharper against the backgrounds–but the tone is the same. It looks fun, but it’s serious. Bryan J.L. Glass has…