Category: Family

  • Muppets from Space (1999, Tim Hill)

    Muppets from Space is definitely missing some important elements (like subplots and a first act), but it usually doesn’t matter. Even though Hill is a poor director–the film doesn’t just lack personality, it looks like a TV show–the Muppet performers are incredibly strong and the script has a bunch of great lines. The film focuses…

  • Small Soldiers (1998, Joe Dante)

    I remember liking Small Soldiers the first time I saw it. I was wrong. This time watching it, all I could think about was how Dante and DreamWorks studio chief Steven Spielberg ignored they had a terrible script. Of course, Dante still does a good job. He has a fantastic Bride of Frankenstein homage, which…

  • The Muppets (2011, James Bobin)

    The Muppets is confused. The screenplay from Jason Segel and Nicholas Stoller oscillates between being this lame story about Segel and his brother, a Muppet named Walter (indistinctly performed by Peter Linz), and his girlfriend (Amy Adams) and a better story of the Muppets reuniting. The better story is, unfortunately, not exactly good. There are…

  • Teenage Mutant Ninja Turtles (1990, Steve Barron)

    Teenage Mutant Ninja Turtles uses Central Park as an establishing shot for an apartment at 11th and Bleecker. I’ll let you Google Map that one. The film’s worth talking about for four reasons—the amazing animatronics, the editing, the anti-Japanese sentiment and Judith Hoag. It’s also amusing to watch for Sam Rockwell sightings, but that one…

  • Puss in Boots (2011, Chris Miller)

    CG animation has, much to my surprise, gotten to the point of disquieting reality. In Puss in Boots, Zach Galifianakis’s Humpty Dumpty has such real facial expressions, it makes the entire experience uncomfortable. The face, on the alien form, is too real. Galifianakis is Puss’s weakest casting choice. In fact, he might be the only…

  • Jumanji (1995, Joe Johnston)

    Jumanji is a thoroughly decent film, mostly due to good production values and Johnston’s direction. It’s sort of hard to talk about the film due to the plotting. The film’s not real time, but the present action is still short… or not. In some ways, it’s twenty-six years, in others, it’s a day and a…

  • Muppet Treasure Island (1996, Brian Henson)

    As a Muppet fan, the thing I miss most about Muppet Treasure Island is the Muppets. Oh, they’re around, but in neither of the film’s principal roles. Instead, it’s Tim Curry and Kevin Bishop–and their performances both have ups and downs. But neither is wholly responsible–in Bishop’s case, the script changes his character quite a…

  • A Christmas Story (1983, Bob Clark)

    I don’t get A Christmas Story‘s continued success. I mean, I get its initial success (I grew up with it, on video, and remember my friends talking about it before I got to see it and the film living up to expectations), but it’s hard to believe people still like it. I mean, what do…

  • G-Force (2009, Hoyt Yeatman)

    I’m not a fan of the popcorn movie argument–it’s the one where people tell you you’re just supposed to enjoy the movie and not think about it–Stephen Sommers uses it in his defense and so does, somewhat more interestingly, Cameron Crowe (I think he called it populist to prove he’d been to college). Except if…

  • WALL·E (2008, Andrew Stanton)

    WALL·E might be the first major Hollywood production not to feature a speaking protagonist in a while. I can’t remember the last one. WALL·E, the robot, makes some emotive sounds and mispronounces his girlfriend’s name, but he communicates through action, not through verbalization. It’s rather effective, since the robot’s supposed to be adorable and Pixar’s…

  • The Muppets Take Manhattan (1984, Frank Oz)

    There’s something–well, actually a lot–missing from The Muppets Take Manhattan, but when I started the sentence, I was going to write “good songs.” None of the songs are terrible, but when the best song in the movie is the one to advertise the then upcoming “Muppet Babies” series… okay, I’m being a little mean… the…

  • Harry Potter and the Order of the Phoenix (2007, David Yates)

    I’m out of touch. I realized I saw three blockbusters this summer, something I hadn’t done since 1999 or so. When the opportunity to see Harry Potter and the Order of the Phoenix presented itself, I leapt at it. I figured I could get a good sense of the state of the Hollywood blockbuster. Amusingly,…

  • Ratatouille (2007, Brad Bird)

    While Ratatouille features Pixar’s finest three-dimensional CG, it also features their worst two dimensional characters. The problem’s apparent from the start–the main character has one conflict and it turns out to resolve itself quite easily in the end. There are other conflicts in the film, but they’re all external to the main character, Remy–whose name…

  • Flushed Away (2006, David Bowers and Sam Fell)

    There’s something a bit off about Flushed Away. There’s some lazy storytelling, but I can forgive it since the rats aren’t physiologically accurate anyway and it is really enjoyable to watch–no, it’s something a lot more base. It’s obvious no one really cares. Aardman productions used to have passion by default–they were stop-motion and stop-motion…

  • Lady and the Tramp (1955, Clyde Geronimi, Wilfred Jackson, and Hamilton Luske)

    Mostly enchanting Disney tale of a snobbish Cocker Spaniel named Lady who meets a below-her-station Standard Schnauzer named Tramp and, through a series of adventures and misadventures, falls for him. The film relies a little too heavily on the songs, letting them take over when they shouldn’t, and the finale ignores its stars for the…

  • Wallace and Gromit in The Curse of the Were-Rabbit (2005, Nick Park and Steve Box)

    First and only full-length theatrical outing for director Park and his clay animated creations Wallace and Gromit. It’s a great expansion of the duo’s adventures, but one is kind of okay. The clay animation and writing are exceptional work, as always, from Park and company. DVD, Blu-ray, Streaming.Continue reading →