Resident Alien (2021) s02e06 – An Alien in New York

There are a couple big surprises this episode, which sees Sara Tomko and Alan Tudyk going to New York City to find another alien from Tudyk’s species. It’s not New York, New York, it seems to be the more Manhattan-y streets of Vancouver, but they do a decent enough job of it. Tudyk hates all the people, the smells, and probably the noise. There’s a lot of street noise; it’s particularly good sound for a show where they don’t have to think about constant background noise very often.

The trip to New York doesn’t start the episode—they first started talking about it in the episode before last but got busy with more pressing matters—instead, it’s trip prep, which includes the two big surprises. If you haven’t read the comic, I guess there’s another surprise later on, but the New York stuff is the most faithful adaptation of the comic’s plot to date.

One of the surprises is a profoundly affecting character death (including a montage with Bee Gees accompanying—lots of great songs this episode); it follows a hilarious scene for Tudyk and Gracelyn Awad Rinke. Judah Prehn and Meredith Garretson aren’t in this episode, which means Rinke’s got to tell Tudyk she lost his silver Starman space ball on her won, and then Levi Fiehler will be free for a character development arc with Alice Wetterlund since wife Garretson and son Prehn aren’t around.

The other surprise involves Tudyk’s human version before the alien arrived and killed him. The episode opens with a flashback to human Tudyk and town doctor Jan Bos in some kind of trouble with a New York company; serious trouble. And, of course, human Tudyk’s going to be a bad guy who kills Bos, but the show hasn’t explored their relationship (or Tudyk’s motive) until now. The surprise isn’t that flashback, however. It’s alien Tudyk having found a big bag of cash hidden in the house, presumably a pay-off. He doesn’t tell anyone about it until now when Tomko complains they’re low on spending money for their trip.

The bag of cash also has some clues about Bos’s murder, which gets Tomko into investigation mode. When they get to New York, she wants to investigate since the company’s there, while Tudyk’s fixated on finding his alien brethren. The investigating has some ups and downs, and ends with them in a trendy gallery where someone gets Tudyk to take LSD.

At first, it seems like LSD doesn’t work on aliens… but, no, it does, and gloriously so.

While Tudyk and Tomko are out of town, there are character development arcs for some of the other cast members. First, sheriff Corey Reynolds makes an effort to help mayor Fiehler, leading to Fiehler and Wetterlund’s arc. Then deputy Elizabeth Bowen toggles from her unapproved UFO investigation to trying to figure out what Reynolds has been so upset about lately.

It’s a nice arc for Fiehler and Wetterlund, with some good comedy moments. The Reynolds and Bowen arc is a lot more dramatic, again with some great acting from Reynolds.

The cliffhanger’s a little abrupt, but otherwise, it’s a very strong field trip episode. The show’s never gotten out of its little mountain town like it does here before, and they do a good job of it.

Lea Thompson’s directing again and just as solidly capable as last time.

Resident Alien (2021) s02e05 – Family Day

Describing “Resident Alien” as ‘“Northern Exposure” with an alien’ is reductive (and doesn’t properly acknowledge “Alien”’s R-rated but PG-13 executed humor). But it’s where my mind goes when trying to shortcut describe the show, especially this season. “Alien” is an ensemble. Though Alan Tudyk’s semi-reformed alien invader is the lynchpin, the core relationship is Sara Tomko and Alice Wetterlund. The character development all ties back to how Tomko and Wetterlund are experiencing their hometown as it changes, and they change and how everything around them affects those experiences.

Including Tudyk.

Tomko and Tudyk’s friendship has been one of the show’s greatest successes. No matter how wild the plot can get, no matter how absurd Tudyk can get, there’s a calm, comfort to their scenes. Whereas Tomko and Wetterlund’s scenes often bring the drama. In this episode, Wetterlund’s pissed-off Tomko spent the night at abusive ex Ben Cotton’s, and Tomko claps back, bringing up Wetterlund’s drinking problem. Wetterlund gets hangover IVs at the clinic from nurse Diana Bang (who gets a bunch of great material this episode).

Wetterlund resents Tomko for the secrets she’s kept—given-away daughter Kaylayla Raine—and Tomko resents Wetterlund’s present-day friendship with Raine. Their relationship is currently the only one on the show where there’s room for actual growth.

Mainly because everyone else’s development is in some way tied to Tudyk. For example, this episode has kids Judah Prehn and Gracelyn Awad Rinke discover they’ve lost track of Tudyk’s silver alien space ball. Unfortunately, they can’t tell anyone about it because it’s a big secret, meaning Prehn’s relationship with parents Levi Fiehler and Meredith Garretson has a significant constraint. Similarly, as Elizabeth Bowen becomes more and more convinced there’s been an alien incident (her lost memories from a day, which Tudyk indeed did wipe) when she and Corey Reynolds bond over it… it’s only going to go so far before alien space magic gets involved.

The episode actually opens with Reynolds, flashing back to the tragic end of his career in Washington DC (and the introduction of adorable puppy Cletus), and he’s got a few excellent dramatic scenes. Not really any comedic, just a handful of reminders Reynolds can act the hell out of any tone.

The A-plot involves everyone—including Tudyk—discovering human Tudyk has a teenage daughter, played by Taylor Blackwell. Thanks to bad dad tropes, they’re quickly able to get to absolutely hilarious montages of Tudyk trying to ingratiate himself to Blackwell; they just keep getting funnier as the episode progresses. The only missed opportunity is Blackwell getting to hang out with Prehn and Rinke (but she can’t because she can’t know Tudyk’s an alien).

Everyone ends up at the town’s annual Family Day, which mayor Fiehler has partially reimagined as a way to better advertise the town to tourists. There’s a play starring kids, involving lots of blood, guts, and boulders. It’s awesome.

The script, credited to Biniam Bizuneh (first-time script credit, though previous story editor credits), is fantastic. Not just in the comedy, but in the multiple tough talks the characters have to have with one another. Lots of good acting from Tudyk and Tomko opposite a wide variety of supporting cast members. Also, Blackwell’s a perfect foil for Tudyk (and Tomko). Her appearance, just as Tudyk’s understanding liking babies (before they turn into shitty teens) and Tomko’s got her… trauma arc? Oh, yeah. Okay. “Resident Alien”’s core plotline is Tomko’s trauma and recovery arc; I’m embarrassed it took me so long to describe it as such.

Anyway. It’s the right time and the right character to introduce. And Blackwell’s the right performance. She’s appropriately sullen, sardonic, and sympathetic. I also can’t believe how well they integrated her into the plot on her first appearance.

Lea Thompson directs, which seemed notable as trivia during the opening titles, but she does a fine job balancing the absurd comedy and the human drama.

“Resident Alien” keeps impressing in new ways; season two’s outstanding.