Spider-Man: Wolfpack and the Kirkwood Haunting (1979, Joseph Manduke and Don McDougall)

Wolfpack and the Kirkwood Haunting once again proves me very wrong in thinking these two-episode compilation movies were the way to watch the old “Amazing Spider-Man” show. However, that revision is less about the narrative packaging this time and more about the show itself. Independently or consecutively, Wolfpack and Kirkwood are stinkers. But the Wolfpack half is at least a fun stinker, whereas Kirkwood is mind-numbingly dull. Except when Spider-Man (Nicholas Hammond or his stunt man) fights a lion, and a bear; oh, my.

Wolfpack also has the much better guest stars. While Gavin O’Herlihy and Will Seltzer are fairly dull as Hammond’s grad school buddies, Allan Arbus plays the villain. He’s a shitty scientist turned middling middle manager who has been overseeing O’Herlihy’s grant from Dolph Sweet’s chemical company. When O’Herlihy accidentally discovers mind control mist, Arbus sees his chance to finally get rich. However, instead of robbing a bank or anything simple, he does things like getting O’Herlihy and his sidekicks to steal a Gutenberg Bible or brainwashing the local military base into helping him pull a heist.

Arbus is phoning it in, but with enough energy it’s fun to watch him seventies camp it in a Spider-Man. Chip Fields has been helping out O’Herlihy and Seltzer—in their unregulated human experimentation trials they’re all obviously doing—so she gets to be in the main plot, and she’s delightful. Even when the scenes are dull exposition full of fake science words for eight-year-old boys who talked their parents into letting them watch prime time, Fields is a delight. Other series regulars Robert F. Simon and Ellen Bry are around a bit—Simon’s a gruff old grandpa in this half, much different than his “We blue bloods need to stick together (with international arms dealers)” in the second. But Wolfpack treats Bry like garbage, as though her agent demanded they shoehorn her in, so her scenes are usually just Hammond telling her to go away because she’s not part of the main cast.

Bry does a little better in the second half (Wolfpack and Kirkwood are compiled in reverse order, presumably because there’s never any character development, so what does it matter). Simon has Hammond go check on his arms dealer friend’s widow, a suffering (the role) but earnest Marlyn Mason, who’s getting shaken down by psychic huckster Peter MacLean. Hammond’s supposed to suss out whether Mason is actually haunted or if it’s fake. Given the first scene with Mason seemingly unintentionally reveals it’s fake—MacLean’s sidekick, Paul Carr, starts the episode (sorry, half) as the medium but then becomes the sound van guy. It’s like no one can see him except MacLean. Wait a second… he’s just walking around like a regular person….

Anyway. Much like there being wild animals all around the mansion who terrorize Bry and Mason at various times but are never a danger to the actual villains, so there are no good comeuppance scenes, Kirkwood misses any opportunities it might (accidentally) have.

Manduke's Wolfpack direction is nothing spectacular, but it’s much better than McDougall’s attempts at sophisticated suspense. Though MacLean’s such a hack, Kirkwood never has a chance. Maybe if he’d brought some Arbus-level scorn to it, but no. Kirkwood tasks MacLean with more than he can handle.

Also, Fields is barely in Kirkwood, which is a bummer. While Bry’s better when she’s not just around for Hammond to clown on, Fields’s the closest thing to a breakout in Spider-Man. She’s at least got a personality.

There are some decent stunts, occasionally solid music from Dana Kaproff (and occasionally not), but Wolfpack and Kirkwood is bland and blah.

Spider-Man: The Dragon's Challenge (1979, Don McDougall)

Some of The Dragon’s Challenge’s problems are because it’s a TV two-parter stuck together then packaged as a theatrical. An overseas theatrical, but still a theatrical feature. The action in the first half takes place in New York, with some cuts to villain Richard Erdman making plans. He needs to get a Chinese official out of the way so he can build a steel plant.

When the Chinese official (Benson Fong) heads to New York, Erdman sends touch guy Hagan Beggs after him. Better to assassinate him in New York than Hong Kong.

Except Fong’s in New York with a purpose–get help from Robert F. Simon and the Daily Bugle. Enter Nicholas Hammond and, pretty quickly, Spider-Man. Fong’s got a niece, played by Rosalind Chao, who thinks Hammond’s a coward for running off. Little does she know he’s running off to change into his Spider-Man outfit and save the day.

The second half takes place in Hong Kong. Much of it shot in Hong Kong. When the Spider-Man stuntman is dangling alongside a huge Hong Kong skyscraper, Dragon’s Challenge delivers on something it hadn’t really been serious about. Even though director McDougall is clearly thrilled to be shooting on location in Hong Kong, nothing in Lionel E. Siegel’s teleplay sets anything up for Spider-Man. It doesn’t even set anything up for Nicholas Hammond. The Hong Kong stuff is entirely about the villains hunting Hammond, Chao, and soon-to-be government witness John Milford. Until they get attacked, however, it’s a travelogue with this odd trio.

Hammond and Chao have no chemistry. It’s Hammond’s fault. He ignores Chao in the first half, then condescends in the second. It’s because he’s sweet on her, it turns out. Milford’s fine, but not any fun. The travelogue still can get away with it because it turns out they’re on location.

There’s a car chase in Hong Kong and then a helicopter chase. Oh, and a boat chase. And Spider-Man lets the bad guys get away. For maybe the second time in Dragon’s Challenge. Hammond makes some bad superhero decisions throughout.

Series regulars Chip Fields and Ellen Bry don’t get anything to do and barely make an impression. Particularly Bry. Even though she and Hammond get a very romantic setup–using New York location shots–they don’t have anything going on in Dragon’s Challenge. Mostly because Hammond’s weird subplot about Chao not liking him infests the first half. It’s silly.

Chao’s good. She’s got lousy material and no energy from Hammond but she’s a great guest star. Simon’s got some strong scenes with Fong. Beggs is a fine bad guy, even if he is an idiot who whines about his inability to plot assassinations. It’s more amusing than when Hammond mopes about Chao thinking he’s a coward. Those scenes are just awful.

Hammond’s part in Dragon’s Challenge is thin. His job is to run out and become Spider-Man then have no excuse when Spider-Man gets done so everyone is an idiot for not realizing the obvious.

It’s nice to see Fields, even if it’s only for a few scenes.

Fine editing from Erwin Dumbrille and Fred Roth.

The Dragon’s Challenge has got some decent pieces and it’s far from unbearable; it’s still closer to unbearable than any good.