Martian Through Georgia (1962, Chuck Jones, Abe Levitow and Maurice Noble)

Martian Through Georgia has three directors and no ending. It also has nothing to do with Georgia.

It opens fairly well, with very expressionist mainstream cartooning showing life on Mars. A bored Martian then travels to Earth, which kicks off the majority of the run time. Even though the Martian’s only on Earth for a day or so.

There’s narration for the entire cartoon and the Martian never speaks. It’s sort of a character piece actually, just without a strong protagonist.

Still, it could be a lot worse. The opening is incredibly strong, it’s just the Martian’s adventures on Earth where Georgia lacks. There aren’t any gags–they’d be inappropriate–but the Martian’s experiences are simply boring. And the animation, while interestingly stylized, isn’t compelling enough to make them exciting.

The end is a complete disaster, as the narration doesn’t make any sense. The suggestion of celestial importance just confuses.

1/3Not Recommended

CREDITS

Directed by Chuck Jones, Abe Levitow and Maurice Noble; written by Carl Kohler and Jones; animated by Bob Bransford, Ken Harris, Tom Ray and Richard Thompson; edited by Treg Brown; music by William Lava; produced by John W. Burton and David H. DePatie; released by Warner Bros.

Starring Mel Blanc (Warden / Businessman / Old Man / Little Boy / Taunting Voice / Scared Citizens) and Ed Prentiss (Narrator / Policeman).


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Baton Bunny (1959, Chuck Jones and Abe Levitow)

Baton Bunny casts Bugs as a perfectionist conductor who, during a performance, has to cope with wardrobe malfunctions and a bothersome fly.

The most interesting thing about the cartoon–and something I’ve never seen from a Bugs Bunny cartoon before–is how co-directors Jones and Levitow go out of their way to make Bugs cute. He’s not drawn cute–in fact, he’s quite ugly in some shots–but Jones and Levitow show his little fluff tail being cute as it dances to the music and his ears doing something. It’s odd, but at least it keeps one’s attention.

Sadly, even though Baton has good direction (sometimes great) and good animation, it’s boring. It’s not the best way to listen to the piece of music the orchestra plays and it’s not a good Bugs Bunny cartoon. Bugs is interchangeable with anyone in Baton.

At best, Baton‘s a tedious viewing experience.

1/3Not Recommended

CREDITS

Directed by Chuck Jones and Abe Levitow; written by Michael Maltese; animated by Ken Harris, Richard Thompson and Ben Washam; edited by Treg Brown; music by Milt Franklyn; produced by John W. Burton; released by Warner Bros.


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