Category: Directed by Roger Christian

Black Angel (1980, Roger Christian)

Until the finale, which features a risible fight sequence, Black Angel at least looks and sounds good. The story is atrocious, but the production values make it tolerable.

Based on that fight sequence, the short concerns a clumsy, vain and mostly incompetent knight–Tony Vogel in a terrible performance–who finds himself hunting a mystical evil in order to save a fair maiden. Except director Christian’s script cuts a lot of corners, so it’s unclear if Vogel realizes he’s surrounded by sorcery. Probably, since according to Angel, the Dark Ages is just full of the stuff.

The short has an excellent score from Trevor Jones and some gorgeous photography from Roger Pratt, but once the stupid starts, it just gets worse and worse. That fight sequence, which Christian starts in ill-advised slow motion (before speeding up the film), has to be seen to be believed. Or, more preferably, not.

1/3Not Recommended

CREDITS

Written and directed by Roger Christian; director of photography, Roger Pratt; edited by Alan Strachan; music by Trevor Jones; produced by Christian and Leslie Dilley; released by 20th Century Fox.

Starring Tony Vogel (Sir Maddox), James Gibb (Anselm), John Young (Old Man) and Patricia Christian (Maiden).

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Battlefield Earth (2000, Roger Christian)

If only someone involved in Battlefield Earth realized they should be making fun of the story instead of being earnest, it might have some camp value. Instead, between Barry Pepper’s humorless protagonist and John Travolta’s ludicrous villain, Earth is an exasperating affair. No one noticed Forest Whitaker looks like the Cowardly Lion? Really? He looks just like him. He just needs a tail.

I expected Earth to be far worse. Travolta’s bad but not spectacularly (for him). Earth just shows having a movie where most of the characters are giant stupid-looking space aliens is a bad idea. It doesn’t help director Roger Christian isn’t competent enough to direct a Downy Fabric Softener commercial. He tilts his camera all the time and apparently instructed editor Robin Russell to use a lot of Star Wars style transition swipes. But Earth has little in common with Star Wars. Battlefield Earth is hard sci-fi; it’s exactly why I snicker when I hear that phrase.

Well, Roman DeBeers notwithstanding.

Additionally terrible things about Earth include Giles Nuttgens’s photography, Elia Cmiral’s music (especially) and the writing. But it’s hard to say whether the dumbest elements are from the script or the source novel. The aliens, it turns out, never shut off the United States’s apparently infinite power grid… after a thousand years of occupation.

But the special effects aren’t bad and Kim Coates is actually good in his sidekick role.

And Earth does move somewhat briskly. The stupidity and wholesale ineptness make it interesting.

0/4ⓏⒺⓇⓄ

CREDITS

Directed by Roger Christian; screenplay by Corey Mandell and J.D. Shapiro, based on the novel by L. Ron Hubbard; director of photography, Giles Nuttgens; edited by Robin Russell; music by Elia Cmiral; production designer, Patrick Tatopoulos; produced by Elie Samaha, Jonathan D. Krane and John Travolta; released by Warner Bros.

Starring John Travolta (Terl), Barry Pepper (Jonnie Goodboy Tyler), Forest Whitaker (Ker), Kim Coates (Carlo), Richard Tyson (Robert the Fox) and Sabine Karsenti (Chrissy).

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