I feel bad for writer Garth Ennis. I feel bad he did this issue. There are desperate ways to stretch out a series, to pad an issue, to make the right count for a trade. But somehow, Ennis surpasses all of them with this unconditional waste of time issue.
I feel bad for Goran Sudžuka having to draw it. Either this issue will mean a little something for Director Driscoll’s character development, or it’ll mean nothing for her character development. She’s the best character Ennis has created for the series, but it’s not a high bar to clear.
This issue’s a flashback to Driscoll getting the dirt on the bad guy from extra-curricular sources. It’s less information than we got about the bad guy during his “confession” last issue, and having Driscoll be able to verify those statements will either matter or it won’t. Probably won’t.
So why do an issue all about it? To get to twelve for the series.
Doing redundant issues in a limited series is bad enough, but to do them one after the other is beneath Ennis. Or ought to be.
Despite all those complaints, Sudžuka’s art is better than it has been for ages. Maybe locking him in a dark warehouse or an interrogation room isn’t the best use of his talents. He and Ennis could do a killer “lady FBI boss and the shitty sexists she works with” procedural.
It’s such a waste of an issue; however, it helps the series somewhat. Ennis basically axed an issue, making the already tedious series one issue shorter, albeit one you still bought, still read, but can just chalk up to being suckered by comic credits.
Only three to go.
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