blogging by Andrew Wickliffe

Doctor Who (2005) s03e10 – Blink

Blink is apparently not a backdoor pilot to a “Doctor Who” spin-off where recognizable cast—in this case Carey Mulligan on her way up—interacts with the world of Doctor Who without necessarily having to do a lot of scenes with David Tennant. Or Freema Agyeman, who’s second-billed but feels like she left the show and everything is to pretend she didn’t.

Mulligan is a single young Londoner who takes photographs of sad things because doing so makes her happy who discovers a surprising message from “The Doctor” somewhere there can’t possibly be a message. Especially not one for her.

She gets her pal, Lucy Gaskell, to go look again at the message on the wall—which warns of “weeping angels,” these stone statues all around the abandoned, haunted house Mulligan is investigating. Also investigating is fetching young copper Michael Obiora, who’s got all sorts of chemistry with Mulligan. It’s actually an obscene amount of chemistry and amazing the show’s able to get away with it. Technically speaking, the only thing wrong with the episode is Murray Gold’s music. Hettie Macdonald’s direction is fantastic. She totally gets the episode through the concept episode setup and does an excellent job with the actors. It’s a bummer there’s not a romcom spin-off for Mulligan and Finlay Robertson, who plays Gaskell’s DVD rental shop owning brother. Robertson finds evidence of “The Doctor” on various DVD Easter egg hidden features. It’s a weird way to date the episode.

I wonder what kind of special features this season had as far as Easter eggs. Mind you, Agyeman doesn’t appear in any of those Easter eggs segments, which are Tennant apparently answering unheard questions. It’s quirky but not successful. Especially not given Agyeman’s not around because—we later find out—she’s working in a shop to support Tennant as they’re trapped in the past.

So basically the episode is a “Doctor Who” episode like if they made a “VHS board game,” cut out the interactive parts and threw in footage from a different movie. In this case, Mulligan’s murderous weeping angel statues.

It’s a bunch of randomly excellent pieces baked into an outstanding whole.

Until the jaw-dropping bad end stinger. It’s a disaster.

But mostly a big win for Mulligan, Macdonald, and writer Steven Moffat.

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