Really nice direction from Richard Clark this episode; really nice. It’s a strong episode overall, because it’s set out in space in the future, which are usually the best “Who” episodes (so far), but this episode manages to do it with a bunch of regular humans.
Well, not regular humans. 5 billion years removed new humans. This episode is another in the “The Face of Boe” subplot, which started in the first season with the Face of Boe (voiced by Struan Rodger) just appearing in background then figuring in last season (in an episode involving cat person nurse Anna Hope, who appears here again) and it finally gets something of a conclusion here.
But the Boe stuff is overarching—and seemingly for future episodes in at least the season—while the main action has Tennant deciding he’s not dropping off Freema Agyeman yet (with her consent) so they go to the far future and off to another world. Only it’s New Earth, which we didn’t get to see last time and this time it turns out it’s gone all dystopian and people are traveling on the freeway for years to go ten miles to the promised lands of the suburbs.
Pregnant young persons Travis Oliver and Lenora Crichlow kidnap Agyeman so they can get in the three-or-more lanes, which forces a panicking Tennant—he really does bring disaster to those around him—to travel through layers of flying cars. He’s got to drop between cars, which means introducing amusing supporting characters, and he’s got the cars he spends more time in, which means lots of good dystopian melodrama.
There are also kittens.
So it’s a very cute episode in some ways and terrifying in others, as Agyeman and Tennant discover the secrets of the New New York, which involve giant monsters.
Lots of good material for both Agyeman (who realizes the possible consequences of her time-traveling on a whim) and Tennant. And the way writer Russell T. Davies is developing their relationship is rather nice. Agyeman has to figure it all out on her own here, making her much more of a partner.
The thing about Tennant lying to Agyeman about his home planet being destroyed is a little bit of a stretch though. It’s like Tennant’s biggest concern—she’s going to die before he can tell her the truth, not she’s going to die.