This episode of “All Rise” has this super juicy white man part for guest star Ben Browder. Survivalist holds courtroom hostage; the cops came to kick him out of his home, which is apparently somewhere in the County of Los Angeles but remote enough you don’t see people and no one pays attention when you don’t pay your property taxes for twenty years. I mean, California’s big. Sure, let’s go with it. Let’s even go with Simone Missick at one point telling Browder, who doesn’t believe the court has any jurisdiction over him, he’s going to get a chance to “speak his truth.”
Of course, Browder’s truth is objectively false and if he really hadn’t been off the farm for twenty years or whatever, he’d be in for astounding culture shock and be suffering from that problem too but… whatever. Don’t like the dismissive use of “truth” there. Not cool.
But then all of Conway Preston’s script is bad. The dialogue, the plotting, all of it. The only things wrong with the episode he’s not responsible for are the casting and the direction. David A. Harp’s direction is fine except the opening when he tries to do this lengthy fake tracking shot of Lindsay Mendez coming into work and walking past all the regular cast to introduce the episode’s ground situation. Worse, it’s peppy and upbeat while the episode is anything but. It’s a tonal bait and switch and “All Rise” isn’t worth a tonal bait and switch. Regardless of me preferring the latter tone to the former. The peppy stuff is obnoxious. The downbeat stuff isn’t great or even good, but it’s not obnoxious.
Though it’s not like the show challenges its cast. Actually, “All Rise” is a bait and switch in and of itself; here’s this great opportunity for Missick and Wilson Bethel and the show wastes them. They get less so Jessica Camacho gets more, even though she’s not part of their dynamic best buds duo (which is missing from the show, almost as obviously as Missick’s husband, Todd Williams on FaceTime, who’s either dying or cheating by the end of the season). But then Camacho gets a truncated part this episode so everyone else in the supporting cast can get more.
It’s a mess. The show’s got way too many regulars and not enough for them to do. It really needs better writers. And better guest stars. I didn’t think Browder had done anything. I thought they couldn’t get anyone to play such a poorly written juicy white man part—seriously, if well-written it’d be Emmy-bait—but Browder was actually the lead on “Farscape.”
Note: continue hesitating to watch “Farscape,” regardless of Henson Company involvement.
There’s a really solid moment or two for Paul McCrane in this episode though. The action takes him out of his regular—well, it doesn’t actually take him out of the courtroom—basically, it’s a new way to see McCrane. He gets to act opposite Bethel and J. Alex Brinson and talk about Brinson dating Camacho and you realize how great it’d be for McCrane to really get good material and not a souped-up caricature for once.
The show also wastes a Jason Dohring guest spot. I seriously don’t understand how Dohring can’t get a shot outside “Veronica Mars” projects. Though maybe it’s better to be on the periphery of “All Rise,” out of the middling’s blast radius.