Leave it to Hansen to make it weirder.
The issue starts with a bookend—Melvin’s still unnamed comic fan sidekick is berating Weird Melvin for not stopped Monster Fanboy (who owns every comic every published and hordes them in an underground lair and is, actually, a monster when it comes to collecting)—and then goes into flashback. It’s a little confusing at the start since last issue ended with Melvin needing to hibernate for thirty years. Seemed like the kid should’ve aged.
But what actually happened was the worms went after Melvin and dug a hole down to Monster Fanboy’s lair; Monster Fanboy, knowing Weird Melvin from the comics, natch, then chained Melvin up—see, Melvin’s in his Wimpy Melvin persona since last issue, when he lost his power.
The flashback gives an origin on Monster Fanboy, who ends up being the kid’s nemesis this issue as Melvin never gets his power back. Worse, he gets a girlfriend. So it’s all up to the kid to stop Monster Fanboy’s plan to drive up the speculative market on comic books (by exploiting the other fanboys). Hansen’s got some funny stuff in the issue. He doesn’t do much in the way of building to a laugh, he just gets the joke out of the way in a panel or three. Lovely pace, especially when he moves the action over to the kid’s perspective.
Meanwhile, Melvin picked the wrong girlfriend. Vampuh used to date Sy Cyclops, who attacked Melvin last issue and is responsible for his de-powering; Melvin took care of Sy, leaving Vampuh without a dude to push around. Turns out she likes her men wimpy and Wimpy Melvin is just what she needs. So she throws him into the cellar with her father, who’s been imprisoned there a hundred years and has apparently gone cannibal….
Presumably that cliffhanger will resolve next issue. Though the finale introduces yet another bad guy, who also wants to be Weird Melvin’s biggest fan, and she might be a more immediate danger (to the kid, who’s apparently still Melvin’s biggest fan even though Melvin failed to stop Monster Fanboy)
Weird Melvin is a peculiar comic. In all the right ways. Great gross art, thorough, engaging plotting. It’s amazing how sympathetic Hansen’s able to make the characters when he’s just playing them for icks or laughs.