It’s not a light issue. There’s barely any Frank; he’s just sitting around and listening to sixth widow Jenny tell him her life story. She was a mafia princess. She got married off to a full-on psychopath who, on a good night, just beat and raped her. The other mob widows knew about it, lied to her to get her into the marriage, handled her to keep her at home once she was in. Nothing changed until Frank killed the husband, just another dead crook reaching for his pistol. Then Jenny lost a husband and got diagnosed with breast cancer (what Ennis laid on a little thick in the first issue no longer seems it, not after the recounted horrors of her married life); when she decided, fatalistically, to go to the FBI, her big sister arranged to have her killed. The killers botched it. Fast-forward ten years—which seems like a bit too long but whatever—and Jenny’s back to take them out, Frank having considerably thinned the mob herd since she’d been gone.
Ennis and Medina go all in on the awfulness of Jenny’s life, the intensity and constancy of the abuse being enough to get them past any lingering questions about whether it’s too much, dramatically speaking. Or Ennis’s writing for the Jenny character’s narration being a little too light on specific personality. It’s a heavy comics, with the release valves being the widows trying to figure out what they’re going to do after failing their first shot at the Punisher.
They’re finding out the same things Frank and the reader are finding out from the narrated flashbacks. Everyone’s getting on the same page, including the not Sam Jackson anymore Sam Jackson cop, who’s piecing together the widows’ plan for the attempted hit on Frank. He only gets a page, just to remind readers he’s still around. There are two issues left, after all. Anything could be coming next.
Ennis closes it out without a cliffhanger, just a feeling of profound sadness over its broken “heroes,” Punisher Frank and the widow he made.
It’s an unpleasant read, especially for a mainstream book, even for Punisher MAX, but Ennis pulls it off. He’s able to keep the humanity, no matter the grandiosity of the awful specifics.