“Batwoman” has a Dougray Scott problem. The show keeps giving him material he can’t do or does poorly (versus Ruby Rose, who sometimes doesn’t even try when the material isn’t working with her). It’s getting particularly annoying as Rose is getting better and Scott’s going to screw up her character development.
Some of Rose’s improvement has to do with more Batwoman screen time. Rose’s better at Batwoman than Kate Kane because Kate Kane is still badly written. She just looks at evidence at her dad’s, goes off to cowl-up, bickers a little with Camrus Johnson who ends up with the incredibly odd optics of being the Black man defending white police and prosecutors who get busted falsifying evidence to falsely convict other Black men. She’s got no relationship with anyone besides Scott this episode, which doesn’t go well because Scott’s profoundly not good. He tries really hard and it’s such a fail. Rose doesn’t show any personality until she’s in the cowl, which is great because she’s got to show personality while costumed up, it’s more important to the show’s success given it’s a flipping superhero show. But making it about a mercenary finding his heart and then casting Scott in that role… big fail.
Other big fail this episode? Saddling Nicole Kang once again with Meagan Tandy; Tandy’s so bad she drags Kang down this episode. It’s a real bummer. Kang’s the highlight of “Batwoman,” Tandy’s one of its thorns. Though the script doesn’t help Tandy any. She’s just playing the thin catty villain part as written.
As for series villain Rachel Skarsten… she’s great. Unfortunately her newly revealed sidekick, Sam Littlefield, is not great. In fact, he’s fairly bad. It’s not an easy part, I get it; son of child-murdering and child-kidnapping evil plastic surgeon who revolts to save “sister” Skarsten—not easy stuff. But Skarsten manages to do it well and Littlefield doesn’t. “Batwoman”’s got a lot of casting issues. Yes, filming in Chicago means it looks like Dark Knight and not like Vancouver, but in Vancouver maybe you could’ve afforded better actors.
Or at least actors who patently cannot do the roles they’re in.