blogging by Andrew Wickliffe

The Amazing Exploits of the Clutching Hand (1936, Albert Herman), Chapter 14: The Silent Spectre

The Silent Spectre surprised me. I didn’t think Clutching Hand would be able to surprise me after they did the boat stuff–and there’s a lot more ship-based fisticuffs this chapter–but then it goes ahead and surprises me the very next chapter.

I had no idea lead Jack Mulhall could be so exceptionally bad. He’s had some dreadful moments throughout the serial, but this chapter features his easily worst moment. He’s got to pretend he thinks Rex Lease has reunited Marion Shilling with her long lost (since the first chapter) father, played by Robert Frazer. Only we know Lease hasn’t reunited Shilling with him because Lease got hijacked and beat up for the invalid Frazer.

Mulhall’s “performance” in the scene is stunning. It’s so bad it’s laugh out loud funny, which is sort of perfect for the penultimate Clutching Hand. It’s so bad it’s mocking you for watching it.

Though a lot does happen in the chapter, maybe more than in any chapter other than the first. There’s the big fight on the boat, then there’s the Frazer-napping–evil businessman Bryant Washburn and vague gangster Jon Hall team up for that one–then there’s Mulhall confronting Washburn and Hall. Oh, and there’s Lease coming back for a minute to give Mulhall the news. There’s a second car chase (the first car chase ends with Frazer getting kidnapped and Lease getting pummeled), there’s Mulhall laying a trap, there’s a shootout, there’s a Clutching Hand note mocking Mulhall–which Mulhall hides from everyone else because he’s apparently aware he’s a joke of a detective–there’s a lot. Especially considering how long the boat fight lasts.

Who knew Clutching Hand could be so action-packed? I knew it could be idiotic, but not action-packed idiotic.


Directed by Albert Herman; screenplay by Leon D’Usseau and Dallas M. Fitzgerald, based on an adaptation by George M. Merrick and Eddie Granemann and the novel by Arthur B. Reeve; director of photography, James Diamond; edited by Earl Turner; produced by Louis Weiss; released by Stage & Screen Productions.

Starring Jack Mulhall (Craig Kennedy), Rex Lease (Walter Jameson), Mae Busch (Mrs. Gironda), Ruth Mix (Shirley McMillan), William Farnum (Gordon Gaunt), Marion Shilling (Verna Gironda), Bryant Washburn (Denton), Robert Frazer (Dr. Gironda), Gaston Glass (Louis Bouchard), Mahlon Hamilton (Montgomery), Robert Walker (Joe Mitchell), Yakima Canutt (Number Eight), Joseph W. Girard (Lawyer Cromwell), Frank Leigh (Maj. Courtney Wickham), Jon Hall (Frank Hobart), Franklyn Farnum (Nicky), and Knute Erickson (Capt. Hansen).


Leave a Reply

Blog at

%d bloggers like this: