blogging by Andrew Wickliffe


Charlie Brown Clears the Air (1979, Bill Melendez)


Charlie Brown Clears the Air opens with a deceptively funny gag. Snoopy messing with Linus. It’s the only funny thing in the cartoon, produced for American Lung Association with the apparent purpose of boring children into environmentally responsible behavior.

See, Snoopy’s in a mood because his dog house has got soot all over it because the neighbor is burning leaves and trash. The neighbor won’t stop burning leaves and trash unless Snoopy gets his motorcycle’s exhaust system fixed. Woodstock is Snoopy’s mechanic and he can’t figure it out–when the Woodstock cameo falls utterly, painfully flat, it’s clear how little Clears is going to impress–so they’re just going to have to live in mutual misery.

Then there’s the baseball game where Lucy can’t see because of air pollution and Linus can’t catch fly balls because he trips over litter. We see the litter. We don’t see the air pollution–apparently the American Lung Association didn’t offer the filmmakers much in the way of money, Clears has almost no backgrounds and nothing in the way of establishing shots. What can Charlie Brown do about it?

He can give a report at school.

A really boring report.

Bad dialogue throughout from Charles M. Schulz–so bad I didn’t think he wrote it–and similarly bad deliver from Arrin Skelley as Charlie Brown. There’s no way to make the clunky, expository dialogue work. Neither Daniel Anderson (as Linus) or Michelle Muller (as Lucy) do much better; they don’t do as bad, however, just because they don’t have as much dialogue as Skelley.

Clears doesn’t have anything going for it. Not writing, not animation, nothing. It’s charmless to the point of being annoying.


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