Jacqueline’s Heart is a very short episode. Nine minutes or so. And nothing much happens except René Cresté plays fast and loose with his multiple identities and Yvette Andréyor finds his make-up kit. Overhearing Andréyor wish his sweet old man persona would show up, Cresté obliges.
A note from Andréyor’s father–no longer imprisoned (at least not by Cresté)–arrives and beckons her to a mysterious meeting on the docks at night. Cresté, as old man, says he’ll go. But then he changes into his Judex gear in his room (next to Andréyor’s) before heading out.
And she sees him. Leading to her investigating his room. And finding his makeup kit. Then along comes Yvonne Dario to console the confused Andréyor.
The episode ends with Dario telling Andréyor everything. Sadly it cuts that scene, so it’s not clear yet if Dario is going to tell Andréyor she–Dario–is the one who wanted to kill her–Andréyor’s–father.
It’s an interesting turn of events; I assumed Andréyor wouldn’t find out the truth until much later. But Judex is getting close to the finish. Only three episodes to go. Or two and an epilogue.
Directed by Louis Feuillade; written by Arthur Bernède and Feuillade; directors of photography, André Glatti and Léon Klausse; production designer, Robert-Jules Garnier; released by Gaumont.
Starring René Cresté (Judex), Yvette Andréyor (Jacqueline Aubry), Musidora (Diana Monti), Louis Leubas (Favraux), Marcel Lévesque (Cocantin), Jean Devalde (Robert Moralés), Édouard Mathé (Roger de Tremeuse), Olinda Mano (Jean), René Poyen (The Licorice Kid), Gaston Michel (Pierre Kerjean), Lily Deligny (Miss Daisy Torp), Juliette Clarens (Gisèle), Georges Flateau (Vicomte de la Rochefontaine), and Yvonne Dario (Comtesse de Tremeuse).