Assassinistas is starting to lose momentum, which isn’t good considering it’s just the third issue. Beto’s panels are getting sparer and sparer, he’s rushing through the action sequences. He slows down for the flashbacks and there are a lot of flashbacks. The flashbacks have the three Assassinistas in their prime. The present has the women separate, with Octavia having her son and his boyfriend as her sidekicks. The flashbacks are better.
But even they’re not without issue. There’s always an awkward transition as Octavia forgets she’s telling a story and then goes back to it. Writer Howard is dragging the revelations out–and playing with the idea of dragging them out–but Assassinistas can’t get stretched that thin. The boys are likable. No one else is likable. In flashback, the three women are funny and the action’s good, but they’re not likable. They’re still too thin.
And the whole thing about a kidnapped toddler just makes it feel forced. Like… we have to care, a child is (ostensibly but probably not really) in danger.
Also, for whatever reason, Beto’s expressions for the characters often doesn’t match their dialogue. It gets real noticable since there’s not just flashback, there’s exposition about getting to the flashback.
This issue’s a concerning turn (or concerning standstill) for the book.