Yes, there’s a Killer at Large, but there are lots of them. The entire gang out bad guys is loose. Brenda Starr’s has all bad ideas when it comes to titling.
And, you know, scenes. There’s a scene between lowlifes Ernie Adams and Wheeler Oakman and the conversation repeats itself. It’s almost surreal, the exposition starting again immediately once Oakman finishes with the initial delivery. Maybe if Adams were getting Oakman to confirm what he’s saying, but he’s not.
In addition to Adams and Oakman gabbing, there’s another scenes with Frank Meeker and his gang. None of the criminals seem particularly motivated, which is kind of fine; the less time thinking about Brenda Starr, the better.
Woodbury starts the episode a damsel in distress. She ends it going to a night club with the rest of the cast. They’re not sitting together, but screenwriters Ande Lamb and George H. Plympton really want to get everyone together.
Not for narrative purposes, unfortunately, just time wasting ones.
The chapter doesn’t even try with a cliffhanger though. Cliffhangers aren’t Brenda Starr’s thing.
Directed by Wallace Fox; screenplay by Ande Lamb and George H. Plympton, based on the comic strip by Dale Messick; director of photography, Ira H. Morgan; edited by Charles Henkel Jr.; music by Edward J. Kay; produced by Sam Katzman; released by Columbia Pictures.
Starring Joan Woodbury (Brenda Starr), Kane Richmond (Lt. Larry Farrell), Syd Saylor (Chuck Allen), George Meeker (Frank Smith), Wheeler Oakman (Heller), Cay Forester (Vera Harvey), Marion Burns (Zelda), Lottie Harrison (Abretha), Ernie Adams (Charlie), Jack Ingram (Kruger), Anthony Warde (Muller), John Merton (Joe Schultz), William ‘Billy’ Benedict (Pesky), and Joe Devlin (Sgt. Tim Brown).