Whenever Garth Ennis does WWII and he does something with the UK, I assume it’s a little bit of a capitulation. What does one expect from Ennis except WWII and UK war comics? I mean, really. There’s even squabbling among the airmen based on one not being from the same part of the UK. It’s exactly what one would expect.
And it’s pretty darn all right. He doesn’t do much with the characters–thankfully Tomas Aira gives them different enough uniforms and body types, but it’s not like Ennis is throwing a lot of character development in. He’s playing for the scene. The draw is the subject matter, which is the RAF putting together their night fighter squadron. Ennis even opens it with a text introduction to the era.
It works. It all works out. Aira’s fine on the airplanes and his composition for the talking heads scenes are getting better. War comics need good composition for briefing sequences. It’s a lot to juggle; Aira doesn’t have the detail on faces and the coloring is still War Stories atrocious–I really hope Ennis has it in some contract if these things catch up commercially, they’ll get recolored–but it’s the best first issue of a War Stories arc the series has had in ages.
It’s also a four-parter, instead of the traditional three. The cynic in me wonders if it’s a drawer script Ennis has had around for a while.
Vampire Squadron, Part One: A Barrel of Guinness; writer, Garth Ennis; artist, Tomas Aira; colorist, Digikore Studios; letterer, Kurt Hathaway; publisher, Avatar Press.