Is Over the Top terrible? Yes. It’s a terrible film. Is it an interesting terrible film? No. I mean, maybe if you wanted to examine Giorgio Moroder’s inept eighties synthesizer score or David Gurfinkel’s weird photography, you might be able to find some kernels of interest. But it wouldn’t be particularly rewarding.
At best, the most interesting thing about Over the Top is how detached Sylvester Stallone–reductively speaking, the plot is Rocky with arm wrestling, dead moms, deadbeat dads, truck driving–but Stallone’s completely detached from any of the machismo. It’s very, very strange, because it’s all about him wanting his son to man up. He’s been raised by his strangely manipulative but terminally ill mother (Susan Blakely in the epitome of a thankless performance) and his awful rich guy grandfather Robert Loggia. David Mendenhall’s the son. He’s real bad. Stirling Silliphant and Stallone write Mendenhall’s dialogue like he’s Marcie on “Charlie Brown.” It’s really weird. Weird in a bad, not interesting sort of way.
Then there’s Golan’s direction. It’s Panavision. It’s terrible. The editing is really bad too. James R. Symons and Don Zimmerman have to cut multiple eighties Stallone movies montages and they flop on all of them. Except maybe the final match, which is strangely effective. Maybe because Rick Zumwalt’s villain is really unlikable, but who knows. Maybe Over the Top just wears one down after ninety minutes. It bottoms out real early. There’s no disappointment to be had.
It’s not like even Loggia is any good. Maybe it’s interesting as a low point in Silliphant’s career.
No, it’s not. Maybe the production history is amusing, like Stallone really hated Mendenhall–they’re terrible together but it’s actually more Stallone’s fault. Both as the actor and one of the screenwriters.
Anyway. I think three hundred words on Over the Top is more than enough.
Directed by Menahem Golan; screenplay by Stirling Silliphant and Sylvester Stallone, based on a story by Gary Conway and David Engelbach; director of photography, David Gurfinkel; edited by James R. Symons and Don Zimmerman; music by Giorgio Moroder; production designer, James L. Schoppe; produced by Golan and Yoram Globus; released by Warner Bros.
Starring Sylvester Stallone (Lincoln Hawk), David Mendenhall (Michael Cutler), Susan Blakely (Christina Hawk), Robert Loggia (Jason Cutler) and Rick Zumwalt (Bob ‘Bull’ Hurley).