I wish there were nice things to say about Highlander: The Source. I wish every statement didn’t have to have a qualifier. For example, Adrian Paul is almost fine. He’s got a badly written part but he’s game for it. Same goes for Peter Wingfield, who’s a little less almost fine. He’s bad but his part is even worse written. And so on through the supporting cast. Until you get to Jim Byrnes, who’s just bad.
But The Source has a very specific audience in mind. It’s for people who loved the “Highlander” TV show so much they don’t care about the movie being bad. The film doesn’t ask for anything except to be engaged on those terms. It’s a franchise popular enough to get investors but not buyers. In terms of film industry history, “Highlander” is actually somewhat relevant. It helped prime the world for fantasy and sci-fi properties to be successful, while not successful itself. It fell on its sword.
Stephen Kelvin Watkins and Mark Bradley’s script takes itself way too seriously for The Source to be any fun. Director Leonard doesn’t have his moments because, even though he knows how to compose a Panavision frame at least somewhat competently, he’s shooting on crappy video and cinematographer Steve Arnold can’t shoot it. There’s lots of poorly matched digital backdrops in The Source. It’s knowingly incompetent, begging for an incomplete mark versus a fail; a technical cop out.
I wanted to be so enthused about The Source I was going to post an intentionally misguided response, something about it taking place in the post-apocalyptic wasteland of Highlander 2 or having to do with the other planet but it’s not worth it. In the end, I’m just glad Thekla Reuten didn’t get too embarrassed by her lame part. Reuten’s pretty good for a lot of her performance and then the third act just flushes her part.
Not many people should see The Source. I’ve seen every one of the Highlander movies and I shouldn’t have seen The Source. I’ll bet people who worked on The Source never even watched The Source. It’s a feature length fan film made on the budget of a television commercial. It just happens to be produced by the rights owners. The Source isn’t about being accessible or generally rewarding. It’s not even about being good. But it’s also not worth any more words.
Directed by Brett Leonard; screenplay by Stephen Kelvin Watkins and Mark Bradley, based on a story by Bradley and characters created by Gregory Widen; director of photography, Steve Arnold; edited by Chris Blunden and Les Healey; music by George Kallis; production designer, Tom Brown; produced by William N. Panzer and Peter S. Davis; released by Lions Gate Films.
Starring Adrian Paul (Duncan MacLeod), Thekla Reuten (Anna Teshemka), Peter Wingfield (Methos), Thom Fell (Cardinal Giovanni), Stephen Wight (Reggie Weller), Stephen Rahman Hughes (Zai Jie), Cristian Solimeno (The Guardian), Patrice Naiambana (The Elder) and Jim Byrnes (Joe Dawson).