The Spire continues to impress, though this issue shows the first time Spurrier lets the size of the comic get ahead of him. The lead, Shå, shows up on the fourth page or so–some beautiful double page spreads from Stokley here–but she’s just leading the reader through procedural stuff. Stokley’s composition is so strong, it overpowers the character stuff with she and her royal girlfriend bickering. The Spire is a big book, big story.
For the last third of the book, after some political stuff–the non-humans coming and pledging their loyalty to the humans–is all Shå’s, which is good, because Spurrier gets the balance right here between moving the plot forward and letting the comic have a protagonist.
The comic succeeds not just because Spurrier can eventually pull it around, but because he and Stokely work so well together. Stokely’s art makes some of the longer expository scenes visually dynamic enough to move. It’s a good comic, it just meanders a bit as Spurrier tries to define the boundaries of the setting.