It’s almost as though Dingess is refusing to do a full story in the issue. The Sacagawea subplot, which takes up a scene–with flashback–is more complete than the main plot of the issue, with the landing party waiting to see if the blue bird person and one of the humans can make beat the monster. It’s a talking heads book, just with everyone talking about what the reader gets to see for him or herself when Dingess takes the action to the bird person and the human.
Manifest Destiny is not a story with a strong supporting cast. Dingess rarely deals with the supporting cast, which is enormous. And they aren’t particularly distinctive. Even though Roberts goes out of his way to make some visually distinctive… there are like five or six memorable people here, no more. So a talking heads book with random people talking.
The hard cliffhanger will undoubtedly get resolved quickly next issue and that issue will then have its own weak, hard cliffhanger. Dingess doesn’t let the reader enjoy the book, which is unfortunate. He’s too manipulative when he doesn’t need to be. It almost feels desperate that this point.
Writer, Chris Dingess; penciller, Matthew Roberts; inkers, Stefano Gaudiano and Tony Akins; colorist, Owen Gieni; letterer, Pat Brosseau; editor, Sean Mackiewicz; publisher, Image Comics.