Eight is, unquestionably, great. At a certain point, it got good. And then Kieslowski didn’t screw up it being good. It started with problems, of course. The episode opens with Maria Koscialkowska as a lonely old college professor. Until Teresa Marczewska, a younger woman, shows up out of the blue to observe a class, it’s boring. It’s an ethics class. Where Kieslowski makes a reference to another episode of The Decalogue and all of a sudden he lets off some steam. For the first time ever.
That release of pressure, along with Koscialkowska’s fantastic performance, lets Kieslowski and co-writer Piesiewicz make the fantastical real and solid. And that reference to the other episode helps with it.
Then it keeps going and it keeps getting better and better. After twenty-two minutes, Kieslowski hits every note. Though it’s because Koscialkowska and Marczewska are great. Their performances make Eight something spectacular.
Directed by Krzysztof Kieslowski; written by Krzysztof Piesiewicz and Kieslowski; director of photography, Andrzej Jaroszewicz; edited by Ewa Smal; music by Zbigniew Preisner; production designer, Halina Dobrowolska; produced by Ryszard Chutkowski; released by Warner Bros.
Starring Maria Koscialkowska (Zofia), Teresa Marczewska (Elzbieta) and Tadeusz Lomnicki (the tailor).