Convict 13 has some undeniably funny stuff in it, but directors Keaton and Cline rely almost entirely on physical comedy. By physical, I mean actors doing choreographed comedy. Sometimes it’s Keaton, both for the smaller sequences and the larger, or Joe Roberts as a gigantic, revolting prisoner.
Both senses of revolting.
Oh, right. Real quick–Convict is about Keaton, a klutz (which is one of the problems with the short), mistakenly going to jail. He’s not the jail type; his girlfriend, played by Sybil Seely, tries to help him out. That description is maybe the first two-thirds, with the remainder being a whole different, jail and mistaken identity setup.
That emphasis on the choreographed comedy shows skill from Keaton and Cline as directors, but it’s kind of boring. There’s nothing exciting about Convict 13; it’s fine, but also a missed opportunity. The absurdist plotting can’t stand on its own.
Written and directed by Edward F. Cline and Buster Keaton; director of photography, Elgin Lessley; produced by Joseph M. Schenck; released by Metro Pictures Corporation.
Starring Buster Keaton (Golfer), Sybil Seely (Socialite), Edward F. Cline (Hangman) and Joe Roberts (The Crazed Prisoner).