On one hand, Five Graves to Cairo is a solid stage adaptation. Director Wilder, who adapted the play with Charles Brackett, makes it feel like a film. On the other hand, Cairo–partially because Wilder sticks to the setting so thoroughly and never opens up the film–doesn’t really go anywhere. After implying complications, it ends just another WWII propaganda picture.
Presumably unintentionally, with two awful “rah-rah” endings instead of just one, Cairo disappoints a little less than if it stuck with the first.
It still has some rather good acting and some rather good writing throughout. Wilder opens the film with a fantastic sequence of lead Franchot Tone escaping a runaway tank. Beautiful John F. Seitz photography, both in the desert and once Tone reaches a hotel and momentary safety. The Germans show up a few minutes later.
There are some neat twists in the plot and Tone’s character, who’s not too bright and knows it, is a fine lead. Anne Baxter is the French chambermaid who cares only for herself and not the war effort. Will she ever learn the value of sacrifice? Regardless if she does or not, Baxter plays the part rather well. It’s too bad Wilder and Brackett don’t give her more to do.
Erich von Stroheim has a lot of fun as Rommel. Peter van Eyck is fine as his sidekick and Baxter’s verboten paramour. Akim Tamiroff’s likable in an underwritten part.
Some great editing from Doane Harrison, even during the weak finale.
Directed by Billy Wilder; screenplay by Charles Brackett and Wilder, based on a play by Lajos Biró; director of photography, John F. Seitz; edited by Doane Harrison; music by Miklós Rózsa; released by Paramount Pictures.
Starring Franchot Tone (Cpl. John J. Bramble), Anne Baxter (Mouche), Akim Tamiroff (Farid), Peter van Eyck (Lt. Schwegler), Fortunio Bonanova (Gen. Sebastiano) and Erich von Stroheim (Field Marshal Erwin Rommel).