One Week is pretty much perfect. Directors Cline and Keaton structure the short beautifully. It takes place over a week, the passage of days torn off calendar pages, as newlyweds Keaton and Sybil Seely set up their home. Literally, set up; they’re constructing their own pre-fab and things go wrong.
The tone of the comedy at this point is more traditional slapstick than what Week becomes. It’s also where the film establishes Keaton and Seely’s relationship. They’re a lovely couple, with Seely getting some rather good moments. Even towards the end, when it becomes a disaster picture–but a light-hearted one–and Keaton is more front and center, Seely still gets attention. Keaton and Cline put as much into the story as they do the filmmaking.
Well, maybe not as much; they literally spin a house around, but an excellent amount.
Gorgeous Elgin Lessley photography. Week’s a masterpiece.
Written and directed by Edward F. Cline and Buster Keaton; director of photography, Elgin Lesley; edited by Keaton; produced by Joseph M. Schenck; released by Metro Pictures Corporation.
Starring Buster Keaton (The Groom) and Sybil Seely (The Bride).