blogging by Andrew Wickliffe

Friday the 13th Part III (1982, Steve Miner)

Friday the 13th Part III is shockingly inept. Director Miner has a number of bad habits, some related to the film being done in 3-D, some just with how he composes the widescreen frame. Miner favors either action in the center of the frame or on the left. The right is unused. Miner’s shooting for pan and scan. But he also has enough interest to do a quick Psycho homage and a more elaborate one to the first Friday the 13th. So there was some ambition. At least twice.

But even if Miner were a better director, there’s still cinematographer Gerald Feil. Feil does an atrocious job. Sometimes, during the terribly lighted night scenes, it’s impossible to tell whether a shot is interior or exterior. The light doesn’t create anything. It barely even illuminates relevant action.

All of the acting is bad. Some of it is worse. Lead Dana Kimmell is real bad. Not as bad as Paul Kratka as her boyfriend, but still real bad. The rest of the cast isn’t much better. Catherine Parks and Tracie Savage probably give the best performances.

It takes the movie over a half hour to really get going and Miner never matches the care he gives the first suspense sequence (the first after the previous installment’s recap). Maybe most surprising is the lousy score from Harry Manfredini. He opens with a disco thing, then abandons it for a tired rehash score.

Beside that one opening suspense sequence, Part III’s total turkey.

One response to “Friday the 13th Part III (1982, Steve Miner)”

  1. Matthew Hurwitz

    I think the bright, sitcom-y lighting was the result of shooting for 3D. The bright, sitcom-y lightening of everything else, though…the first two Fridays were shot in Jersey and Connecticut, this one brought the series to California. You can really feel it. The thought of you viewing and possibly even paying attention to this film, from start to finish, is highly amusing.

Leave a Reply

Blog at

%d bloggers like this: