Perfect Sense goes out of its way to be an atypical disaster movie. Director Mackenzie and writer Kim Fupz Aakeson’s only significant acknowledgement of genre standards is having one of the protagonists pursue a solution. Except it’s never clear what epidemiologist Eva Green actually does–her job is clear, but what she does in pursuit of a solution is never clear.
Because, instead, Perfect Sense focuses on her relationship with the guy who works at the restaurant near her apartment, Ewan McGregor. Aaekson’s script uses the restaurant as the metaphor for what’s going on in the world as everyone slow but surely loses their senses. Literally.
Mackenzie and editor Jake Roberts do these montages, narrated by Green’s character (but not her), to show world events. They’re beautifully cut, precisely presented. Everything in Perfect Sense is precise. Its ninety minute run time is also essential–so much information is presented, but every small moment needs to carry weight. The viewer can’t be left to wander. Mackenzie controls the experience.
The film simultaneously has to be a Green and Macgregor’s romantic drama while still taking into account these apocalyptic plot points. Only those plot points can’t be overdone because Perfect Sense can’t appear constrained. The meticulousness of the film starts long before Mackenzie’s avoiding action set pieces.
The photography from Giles Nuttgens is fantastic–and Roberts’s editing on the other scenes is great as well. Max Richter’s music is spot on.
And Green and Macgregor are wonderful.
It’s deliberate, considered and successful.
Directed by David Mackenzie; written by Kim Fupz Aakeson; director of photography, Giles Nuttgens; edited by Jake Roberts; music by Max Richter; production designer, Tom Sayer; produced by Gillian Berrie, Tomas Eskilsson and Malte Grunert; released by IFC Films.
Starring Ewan McGregor (Michael), Eva Green (Susan), Ewen Bremner (James), Stephen Dillane (Stephen), Denis Lawson (Boss), Anamaria Marinca (Street Performer), Alastair Mackenzie (Virologist), Katy Engels (Narrator) and Connie Nielsen (Jenny).
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