Even though there’s sensational material in the issue, the issue itself isn’t sensational. Brubaker is very measured. He’s meticulous in the plotting, giving just enough hints and just enough callbacks to the previous issues to get to some big surprises. By the time the issue ends, The Fade Out is something of a different comic than it was before.
There are three big reasons. First, the previous issue where Brubaker changed up format. Second, the sensational material–the Red Threat in Hollywood. Third, the use of actual celebrities as characters. Brubaker’s very subtle about how he uses the last one and it works out beautifully.
And Phillips. Phillips gets some great stuff to draw this issue. Not just the period scenes, clubs, talking heads banter, but a flashback to World War II and some more information about protagonist Charlie. It might turn out to be a great comic after all.
The Word on the Street; writer, Ed Brubaker; artist, Sean Phillips; colorist, Elizabeth Breitweiser; publisher, Image Comics.
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