A scene from UNCLE TOM'S BUNGALOW, directed by Tex Avery for Warner Bros.

Uncle Tom’s Bungalow (1937, Tex Avery)

Uncle Tom's Bungalow manages to be both appallingly racist and a little progressive. Director Avery turning the slave trader into the devil, poking a little fun at the angelic white girl, general mocking of Southern cultural all around….

But Bungalow just isn't a good cartoon. Ben Harrison's script–with Tedd Pierce obnoxiously narrating–doesn't even include a bungalow. It's just for the title. The first two or three minutes is setting up the characters and setting up the characters is the cartoon being both racist (with the black characters) and condescending (of the Southerners). The wrap-up even has the cartoon taking inexplicable pot shots at social security, which make it more significant historically than anything else about it.

The gags are trite and predictable. The slave trader turning into a snake and getting electrocuted felt way too familiar.

I kept expecting it to be worse, but it could never be any better.

1/3Not Recommended

CREDITS

Directed by Tex Avery; written by Ben Harrison; animated by Virgil Ross and Sidney Sutherland; edited by Treg Brown; music by Carl W. Stalling; produced by Leon Schlesinger; released by Warner Bros.

Starring Tex Avery (Uncle Tom), Mel Blanc (Hound), Billy Bletcher (Simon Simon Legree), Bernice Hansen (Little Eva) and Lillian Randolph (Topsy / Eliza); narrated by Tedd Pierce.

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