And here we have the first appearance of Chuck Austen on the art. And wow. Wow. I complained about Alan Davis–who does the first chapter–I complained about his work on faces. But he got the mythic quality of the story. He got how people, even if they aren’t beautifully drawn, do look different.
Austen doesn’t get anything. It’s bad. It’s worse than I… it’s bad.
The story’s good though. Moore neatly ties all the jungle scenery to the finale (or the cliffhanger). Austen butchers it. It should be great stuff but nope. It looks like a crappy eighties cartoon.
Anyway, there are some other really good moments in the modern day story. The art’s not good, but there are good moments.
Then there’s Young Miracleman story with Ridgeway art. It’s more cute than anything else, but it’s good. Moore shows some whimsy, which the main feature doesn’t have.
…And Every Dog Its Day!; writer, Alan Moore; artists, Alan Davis, Chuck Austen and John Ridgway; colorist, Ron Courtney; letterer, Wayne Truman; editors, Dez Skinn and Cartherine Yronwode; publisher, Eclipse.