Moench goes a little too high concept for this one, especially since Broderick isn’t really the artist to do a protracted chase sequence.
A small-time thug runs across the rooftops, Batman in close pursuit, and Moench flashes back to all the things in his life to bring the thug to this point. It’s a little contrived, but it’s definitely ambitious. So when Moench actually brings damnation into the picture–the guy, it turns out, has robbed a church and attacked a nun–it’s just too much.
It doesn’t help Broderick eventually gives up and is practically drawing this story comical. There are a couple Batman cowl shots I was surprised Smith didn’t fix, but maybe he’d given up too.
Then the Green Arrow resolution is odd. Moore doesn’t write too much (or enough). It’s a decent enough action story, with lots of mood from Janson but not good detail.