Office Space is the model of efficiency. Judge never races through things, he just tells them really fast or implies them. There’s the fantastic opening montage of everyone going to work, which ought to be a clue to who is and isn’t going to be important in the film, and then things just breeze along as he establishes the ground situation.

I’ve seen the film multiple times and never remembered Ron Livingston–the lead–has a girlfriend when it starts. I also didn’t realize the girlfriend (Alexandra Wentworth) never even speaks to him onscreen.

Judge clearly cut this thing a lot and the result is one of those outstanding examples of how post production can make something shine.

The film has the perfect comedy recipe–great cast, great lines, great plotting. The film only stumbles during the end of the second act, but Judge moves it along as fast as he can, almost like he knew he was in bumpy territory.

Livingston’s great in the lead, with excellent support from David Herman and Ajay Naidu as his sidekicks. Diedrich Bader’s hilarious. All the work boobs are great–the outtakes of Gary Cole, John C. McGinley and Paul Willson must be amazing.

Jennifer Aniston sadly gets nothing to do. She’s the likable love interest. She’s good at it but so what.

Obviously, Stephen Root runs off with the picture. Or, more appropriately, shuffles off with it. He’s got a really tough role and he nails it.

Judge cooks a great comedy.