I don’t think I’ve ever quite read something like what Ennis is doing with The Boys. He’s making the reader feel bad about liking the comic. It’s a crazy thing, full of hostility.
There’s also some other stuff. Some good stuff. Well, the one good moment where the Female finally talks. It’s an awesome moment, really subdued. Ennis delivers that moment. The crazy stuff with the cliffhanger? Not so much.
But he’s operating on two levels simultaneously. He’s rewarding the reader for his or her patience while also chastising him or her for liking the characters. It’ll be interesting to see where he takes it. Maybe not good or even engaging, but interesting.
The opening, full of exposition as Hughie reveals the plans he’s discovered–but Mother’s Milk stays oddly quiet as to why he’s on board with Hughie–is a mess though. Ennis just can’t hide his boredom anymore.
The Bloody Doors Off, Part Three; writer, Garth Ennis; artist, Russ Braun; colorist, Tony Aviña; letterer, Simon Bowland; editor, Joseph Rybandt; publisher, Dynamite Entertainment.
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