The filmmaking economy in The Little Shop of Horrors is astounding. Most of the film takes place in one set–the titular shop–and Charles B. Griffith’s script works hard to imply the world outside that set. My favorite bit in the script is probably when leading man Jonathan Haze is shocked to discover peanut butter and jelly sandwiches. His mother (Myrtle Vail in one of Shop‘s only mediocre performances) only cooks food with healing properties, which they have because she adds medicinal ingredients. Griffith’s a funny guy.
Corman’s direction is best with the exterior scenes. The masterful chase sequence through a tire factory is stunningly out of place in a horror comedy. There’s also a great sequence with Haze meeting a loose woman (Meri Welles), who keeps magically popping into shots. Both of these sequences come in the second half of the picture; the first half just has to rely on the great acting.
Haze is fine, so’s Jackie Joseph as his love interest, but Mel Welles carries the whole Shop as Haze’s boss. He should be a buffoon–no one in Shop is wholly sympathetic–but Welles’s sincere performance makes the character the film’s most human.
In the supporting cast, there are good performances from John Herman Shaner and Jack Nicholson. Dick Miller’s great in a too small role. Griffith’s script makes sure Leola Wendorff gets a couple decent moments too.
Fred Katz’s music is awesome.
Shop is quite impressive; Corman, Griffith and Welles all do excellent work.