blogging by Andrew Wickliffe

The Boys 42 (May 2010)

739785Robertson has help on the art from Richard P. Clark. Not sure it’s actually help, given there are some really weak panels. Especially towards the end.

Yeah, so… the end of Super Duper arc. Ennis introduces the ultra violence of The Boys into the Super Duper household and it terrifies the kids. Butcher terrifies the kids, almost as much as the villain does.

And it might show the problem with this approach in the series. Ennis never really spends time with real people–at least not ones with real emotions–and so, when he does, it breaks the way the comic works.

There’s some ominous stuff and the end and a big internal argument over the way the Boys work, but it’s not enough to make the arc seem worthwhile. Ennis just had to resolve Butcher’s suspicions about Hughie; he came up with a lame way to play it out.


The Innocents, Part Three; writer, Garth Ennis; artists, Darick Robertson and Richard P. Clark; colorist, Tony Aviña; letterer, Simon Bowland; editor, Joseph Rybandt; publisher, Dynamite Entertainment.

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