The Last Flight has some fantastic sound design. Especially at the beginning when Kenneth Haigh’s plane lands. He’s a World War I flier who journeys through time to the late fifties, landing on an American airbase. The sound for the base and the planes is just phenomenal. And the episode hasn’t even really started yet.
Richard Matheson’s script doesn’t concern itself too much with the time travel. Well, wait, it does. But more accurately, it concerns itself with the consequences of the time travel. Haigh figures the whole thing out in a rather long scene. He talks Simon Scott–as a modern Air Force major–into it. A little, anyway. He raises the question.
Great performances from Haigh, Scott and Alexander Scourby as the bewildered commanding officer.
There’s some decent shots from Claxton, but Last Flight succeeds because of Matheson’s script–which winds and unwinds–and the actors performing it.