Now solo on the book, Millar’s approach is to make Alex the lead. He’s cut off from the Green and, for whatever reason, Millar’s not bringing back the supporting cast from before Collins purged them.
And then there’s the new power–Alec can form himself human bodies now. He’s hanging out in New York dressed as Matt Cable.
Millar is going back practically to the first series; I’m not sure Abby is mentioned by name while Linda Holland comes up multiple times. It’s a little uncanny, with Hester’s art working beautifully for the vibe, and it’s new. Millar might be ignoring continuity, but he’s making everything unpredictable.
There’s a bit of talk about Gotham–the biggest continuity tie–with the government hiring a monster hunter to go after Swamp Thing. And the Parliament of Trees, which used to be so hippy and loving, is also after Alec.
It’s rather different.
A Hope in Hell; writer, Mark Millar; penciller, Phil Hester; inker, Kim DeMulder; colorist, Tatjana Wood; letterer, Richard Starkings; editor, Stuart Moore; publisher, Vertigo.