blogging by Andrew Wickliffe

Swamp Thing 139 (January 1994)

16109Foreman relies heavily on dumb pop psychology to “cure” Alec, but Rebecca Guay on pencils and DeMulder on inks make up for some of it. Black Orchid and her sidekick guest star, traveling through Alec’s mind (literally… he’s turned it into a plant art installation in the swamp).

There’s some really bad dialogue and some strange ideas Foreman never really explores (why does Alec’s superego parrot Superman’s truth and justice ideals). It does read somewhat slow, but the art’s fantastic at the beginning so only the end is sludgy.

Literally nothing is resolved from the previous issue. Alec has just shut down, which probably wouldn’t be allowed since he’s got to protect the Green. Having a Black Orchid tie-in doesn’t fit the story at all. Foreman doesn’t dwell on the dumber leftovers of Collins’s run, however.

It’s not a good comic, but Guay’s great and Foreman’s ambitions aren’t trite.


The Mind Fields, Part Two; writer, Dick Foreman; penciller, Rebecca Guay; inker, Kim DeMulder; colorist, Tatjana Wood; letterer, John Costanza; editor, Stuart Moore; publisher, Vertigo.

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