Oh, Langridge is just having too much fun now. He reveals the narrator–Groucho Marx. It’s a hilarious little detail; it doesn’t make any sense yet (how he’s omniscient but he’s Groucho so who cares). There also might a slight Return of the Jedi nod as far as Betty’s outfit goes.
It’s a slower issue than normal, as Cliff has to figure things out. He’s not racing after Betty with believable speed–Langridge writes the characters differently. Cliff is a bit of a dunce. Betty’s the smarter one, which makes her constant peril an interesting contradiction.
The hero is the damsel in distress.
Even the villain’s big reveal scene works beautifully. Langridge and Bone work beautifully together.
The film has a lot of the Golden Age Hollywood feel to it. That Hollywood setting permeates throughout; it’s one of Langridge’s finest achievements on the book. He never forcibly includes the details.
In the Soup; writer, Roger Langridge; artist, J. Bone; colorist, Jordie Bellaire; letterer, Tom B. Long; editor, Scott Dunbier; publisher, IDW Publishing.