Azzarello gives Rorschach a love interest. Maybe he didn’t read Watchmen after all. I was kind of kidding before, but now I’m not so sure.
The series is a mix of bad ingredients. Azzarello and Bermejo go for visual realism, whether in the depictions of the city or its people, but then Azzarello writes a goofy bad guy out of an exploitation picture. He’s got a pet tiger and a supervillain name and a skin condition out of Ennis’s Punisher MAX.
The series’s problem is its derivative details, specifically how none of them are derivative of the original series. Rather, it’s stuff Azzarello likes. Or thinks is good. Or just plain wants to rip off.
Maybe if he had a consistent handle on the character, the issues would read a little better. But Azzarello lacks commitment. Rorschach is clearly just a paycheck to him and it shows on every page.
Writer, Brian Azzarello; artist, Lee Bermejo; colorist, Barbara Ciardo; letterer, Rob Leigh. The Curse of the Crimson Corsair, The Evil That Men Do, Part Eight; writer, artist and colorist, John Higgins; letterer, Sal Cipriano. Editors, Mark Doyle, Camilla Zhang and Will Dennis; publisher, DC Comics.
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