The Stop Button


Village of the Damned (1995, John Carpenter)


Village of the Damned has three major problems. In no particular order… I’ll start with the stunt casting. Christopher Reeve, Kirstie Alley, Mark Hamill and Michael Paré are all–to varying degrees–genre actors. While Reeve and Paré are both fine, Alley’s out of her depth and Hamill’s just terrible.

Some of Alley’s failings–and some of Hamill’s even–tie directly to Village‘s next big issue. It has enough characters and story for a mini-series, not a ninety-some minute feature. It takes place over nine or ten years, most of those years flying by without enough reestablishment of the ground situation. Major supporting characters disappear, like the actors had to go do something else. Village lacks any narrative ambition and it needs a lot.

The third problem, in terms of Carpenter’s direction, involves that lack of ambition. He never figures out how to make the evil, psychic Aryan children scary. They do nasty things and such, but they aren’t scary because he makes them so obvious. It doesn’t help the kids are bad actors–Lindsey Haun is particularly bad as the ringleader, but Thomas Dekker isn’t much better as the primary male.

Most of the other performances are good. Linda Kozlowski does well as the secondary lead (it oscillates between her and Alley). Karen Kahn, Peter Jason and George ‘Buck’ Flower are all fine. However, Pippa Pearthree is terrible.

Carpenter has occasional good directorial moments, but he’s clearly disinterested, which is too bad. Reeve and Koslowski deserve better.


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