The Stop Button


Scalped 54 (December 2011)


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Eh. Aaron’s stopped with the intricate plotting and now he’s on to resolutions and he apparently doesn’t have any idea how to do those. He tries for sensationalism, whether it’s a riff on Saving Private Ryan or The Godfather Part II and he flops both times. Guera doesn’t help in those occasions either. His visual pacing is awful.

And I haven’t even gotten to Nitz and the sheriff. Once again, Aaron asks the reader to believe he’d textured something deeply into Scalped‘s grain. Only this time, without clever plotting, there’s no reason to buy it. Aaron also throws in Dino for a frame, because it’s supposed to mean something. Even with Dino having been around for so long, Aaron’s filling Scalped with contrivances.

Falls Down doesn’t make an appearance and Dash all of a sudden is a lot less amusing.

It’s a poorly paced issue without any redeeming scenes.

CREDITS

Knuckle Up, Part Four of Five; writer, Jason Aaron; artist, R.M. Guera; colorist, Giulia Brusco; letterer, Sal Cipriano; editors, Mark Doyle and Will Dennis; publisher, Vertigo.


Contemporaneously…


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