The Hole, though a precisely, beautifully animated little (two minutes, but that run time includes titles and a preface) piece, is just a cute exercise. Director Kamler comes up with a nice illustration of the futility of the human condition. But he’s too honest and Hole is predictable.
The visuals are simple. There’s a flat piece of land, an nondescript (but unhappy) background, a sad little tree and a hole in the ground. These elements are all finely illustrated, but they’re static. The “protagonist,” a gelatinous white ball, soon appears and it’s where Kamler’s talent is clear. The shading on the ball, as it breaks shape, is just amazing.
The short gets predictable not through the story–it could have gone anywhere really–but because Kamler sets up the animation for the finale. I guess he was just being honest about it, not wanting to trick the viewer. Big mistake.
Directed by Piotr Kamler; music by Robert Cohen-Solal.