Creepy business abound this issue. Well, not really. It’s implied at the end. Along with some more backstory into Tommy’s childhood, which Mike Carey has a lot of fun teasing.
The issue opens with Lizzie and Savoy on a what appears to be a comical mission (and stays one until the end) before Tommy appears.
Carey does a talking heads recap–successfully catching up both the reader and the characters–and Peter Gross excels at the talking heads. I forgot how good Gross does with the regular stuff. Unwritten has a lot of fantastical visual elements (not this issue but in general) and Gross does a great job with them, but the regular stuff is somehow more profound. He’s the one who brings humanity to the cast.
Not a lot happens this issue, but Carey and Gross are so good at telling what does happen, it’s impossible to feel slighted.
The Stop Button 
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