When it gets to the conclusion, Wonder Woman finally distinguishes itself. Until this point, it has major problems—mostly acting, which I’ll get to in a second—and some great ideas. But there’s no balance between writer David E. Kelley’s thoughtful “reality” with a superhero and the day to day of Adrianne Palicki’s Wonder Woman. Until the finish, when director Reiner delivers a truly fantastic, exciting action sequence.
It’s completely unexpected and it works beautifully.
Except it’s starring Palicki and she’s bad. Sadly, she doesn’t even give the worst performance. Elizabeth Hurley gets that honor.
Rather good performances from Tracie Thoms and Cary Elwes can’t save it. Kelley’s pointedly writing the role for a female actor with Christopher Reeve’s ability. Palicki can’t convincingly talk to a cat.
There’s no way for it to succeed with Palicki. And it’s too bad. Kelley’s got insight, just not the actor to deliver it.